“Many Glaciers Mid Afternoon” - watercolor, 10 X 14” on Arches Archival paper
I just returned from a couple of weeks visit to Glacier National Park in Montana. It was a bucket-list trip, and so worth the effort. Daily hikes and painting sessions made the trip memorable. Only ran into one grizzly bear (one is enough….) and saw lots of mountain goats. This painting was from the front of Many Glacier Lodge, where lots of glaciers still exist and are so beautifully clean and reflective.
Early spring venture up to a mountain pass orchard near my home. Painted plein air, in a field next to the apple trees. I was struck by the white blossoms of the apple trees against the receding mountains. This is an original painting on archival Crescent board, and is ready for framing.
Now available at this link: https://www.catherinetwomey.com/available/orchard-pass-watercolor-7-x-10
WIP of the secret forest. The intriguing thing about the distant light is that’s a wall of falling water that feeds the creek. Where bears roam. 18 x 24” oil on linen panel.
Oil, 18 X 24”, the forest below the dam. Where bears roam.
Lots of "Thank you's (or youse)" lately to the wonderful people who support my artistic efforts and purchase my prints and/or original artwork. You're inspirational, motivational and downright kind! Grateful - more so than you can imagine. Etsy: catherinetwomeyart.etsy.com
THANK YOU to Blend Gallery at 67 Biltmore Ave (Asheville) for the sale of "Island Edge." This original oil was painted plein air at Bass Lake in Blowing Rock, NC - obviously a beautiful, serene place filled with happy walkers as storms came and went.
Thank you to the Center for Humans and Nature (https://humansandnature.org/) for the unexpected award for six of my works to be published in 2023! What a terrific way to start the New Year! Citation: A version of ‘Accelerating’ first appeared in a
publication of the Center for Humans and Nature Press and is revised and
reprinted here with permission of the Center for Humans and Nature Press.
"The Island" is a plein air oil, 16" X 16" in Blowing Rock, NC. It was a blustery, sometimes rainy day, but there is nothing like capturing the light on site. Thank you to the collector from Hewitt, NJ for their purchase!
Thank you to ERA Contemporary Gallery in Philadelphia, PA for featuring my painting: "Sea Leveling" - now on offer. Check it out: https://www.instagram.com/p/ClWfQJcMZKh/
The international gallery, Singulart, has named my work “Maple Ridge Craggy Gardens” to their Fall Harvest Collection! This piece is in oil on an archival panel, and is professionally framed and ready to hang. For additional information, please visit:
“The Marked Tree”, 12” X 16” on panel
A memory, a feeling, a brief moment of life - this was painted at Marked Tree Vineyards, where I was surrounded by the most beautiful scenery, happy somewhat inebriated people, a good panter friends. I was so drawn to the way the vines pointed at the namesake tree - and the colors, the rich colors of the countryside on a gorgeous summer day.
Finishing up this oil of one of the last hydrangeas in the garden. It’s going to be 90 today, and everything is looking a bit tired and too hot (me too!). The garden colors are shifting to more subtlety, which is quite lovely and peaceful. May you stay cool, healthy and happy.
“Sequenced”, 24” X 36” pigments, iridescents, metallics on aluminum panel, framed.
The luminous sky and mountains at over 6,000 feet can overwhelm. Couple that with the late spring blooms of the rhododendrons, and there is a sense of floating high above the clouds as the sun descends. I'm inspired by the mountains and sky, of course - but the flow of the pigments themselves is so freeing; so abstract. It's like it helps makes sense of all of the complex layers and diffuse light spreading through the clouds. Each layer is constructed
separately using pigments, tools, an airbrush and gravity. Although the end result appears realistic, on closer inspection it's made up of pours, ridges and glowing pigment. This 24" X 36" original painting will infuse your room settings with good taste and luminescence. It is framed in a lovely copper and black floating frame.
“Between Storms” is an 8” X 16” oil on archival panel.
The weather is so incredibly variable in the mountains, and this day was no exception. I made my way around a lake, Bass Lake, in Blowing Rock, NC - Blue Ridge mountains. Surrounded by threatening cumulous clouds, I quickly set up and immediately planned out the composition. Suddenly, sunlight flooded the island in the lake's middle, and I knew I had my painting. The flashes of light green and blue highlighted the dark pines against the mountainside. The light fell on a downed log, prompting a highlight that finished the piece. As dozens of people made their way past and around the lake path, it felt like we were all in it together - a race against the lightning in an electric moment.
"Monumental Oak", a 22" X 28" oil on canvas, will be offered at "The Blowing Rock Women's Show" at the American Legion Building in Blowing Rock, NC - June 9th! We are raising funds for women in need and would sure like to meet you! There will be many other artworks, so come on up! Blowing Rock is at about 3,500', where the views are marvelous and the air is clean! Thanks for your consideration.
“Monumental Oak”, 22” X 28” oil on canvas
North Carolina/Tennessee border. Imagine sitting for hours along the banks of a somewhat hidden creek. There are fishermen there, friendly and pulling trout out of the clean, clean water. The bugs aren't out yet because it's early spring; it's a bit cool in the morning but warming as the sun ascends. You're soothed by the literally babbling brook while completely absorbed by the task at hand. A most glorious day. Sometimes the shapes are as mesmerizing as the sound of the water! Watercolor, gouache, Arches paper, about 8" X 10".
To purchase:
https://www.catherinetwomey.com/available/upper-falls-early-spring
An hour's drive up to a mountain pass proved to be well worth the trip. I spent a day at Altapass Orchards in North Carolina - and what a sight it was! The day was clear and unusually warm, so I was able to set up for some long range views. The apple blossoms were just coming out, adding to the scene's delight. This original watercolor is 6" X 12" on archival Canson board.
In so many ways, this was a breakthrough painting and has meant so much to me. But the original has found its home and I'm thrilled! In its Provenance, it was chosen by Target for their worldwide in-home collection; it will always be in my heart. "Blue Ridge Cloud Shadows"; made with love and a confidence I never knew I had. Additional prints are available on my Etsy store at CatherineTwomeyArt.
“Revolution”, 30”X30” on polycotton over aluminum panel, framed. Come by The Village Gallery in Oriental or take a look here: https://www.catherinetwomey.com/available/revolution
The constantly in flux earth, shown with varied and dynamic weather patterns over the global surface. I grew up exploring real globes - the kind you can spin and touch. The earth's revolutions as well as the revolutions of storm systems all at the same moment kept me enthralled. So much of the earth being made up of that stunning teal water and how it influences our climate, all while hurdling through space - complexity beyond my ability to grasp it all.
12” X 12” on canvas, professionally framed.
I am well aware that the United States is not at the center of the universe. This is my tribute to the European, African, Middle East and so on nations; all of us, together - not one superior to another.
My understanding is that fifty years ago, when the Apollo astronauts looked back at the earth from the moon, they were profoundly struck by the beauty of the tiny, fragile, blue planet earth. And so it was.
Whenever gazing at the stars and planets, I too am awed by the enormity and depth of the sky. I've heard some people feel anxiety when looking at the night sky; I'm the opposite. It brings pe
“Sea Leveling” 24 X 36”, archival Artefex Panel and Golden Pigments
I wonder what the moon things of our earthly pursuits? It’s easy to envision the moon’s view of the earth: beautiful, other-wordly, spinning. Look closer, however, and there are changes to see: the seas rising, shorelines changing, existential threats to life on earth. This is a siren call to look far beyond the gorgeous planet, understand what’s happening and then do something.