“Beaver Lake, Early Morning”, oil on panel, 9 X 12”.
About 8:00 a.m., a crystalline lake surrounded by wildflowers and pines. It was going to be a hot day, so I tackled this early as the joggers and walkers skittered by. Available here: https://www.catherinetwomey.com/available
Lots of "Thank you's (or youse)" lately to the wonderful people who support my artistic efforts and purchase my prints and/or original artwork. You're inspirational, motivational and downright kind! Grateful - more so than you can imagine. Etsy: catherinetwomeyart.etsy.com
“Sequenced”, 24” X 36” pigments, iridescents, metallics on aluminum panel, framed.
The luminous sky and mountains at over 6,000 feet can overwhelm. Couple that with the late spring blooms of the rhododendrons, and there is a sense of floating high above the clouds as the sun descends. I'm inspired by the mountains and sky, of course - but the flow of the pigments themselves is so freeing; so abstract. It's like it helps makes sense of all of the complex layers and diffuse light spreading through the clouds. Each layer is constructed
separately using pigments, tools, an airbrush and gravity. Although the end result appears realistic, on closer inspection it's made up of pours, ridges and glowing pigment. This 24" X 36" original painting will infuse your room settings with good taste and luminescence. It is framed in a lovely copper and black floating frame.
An hour's drive up to a mountain pass proved to be well worth the trip. I spent a day at Altapass Orchards in North Carolina - and what a sight it was! The day was clear and unusually warm, so I was able to set up for some long range views. The apple blossoms were just coming out, adding to the scene's delight. This original watercolor is 6" X 12" on archival Canson board.
I'm inspired by nature. I live in the mountains of Asheville, North Carolina - surrounded by nature and filled with wonder at the rhythms above and below the earth. This painting is a combination of an acrylic pouring technique and drawing. The suggestions of forest shapes and distance complement the swirling geology below the world above.
This work is a cracking example of a new series. I'm using a pour technique combined with drawing. First I select my palette, then I mix my colors in containers using flow medium and sometimes dymethicone. I then free flow the paints into one single cup, deciding at the same time what color goes with what for the vision in my mind. Next comes the exciting pouring of the concoction onto an archival panel. Lastly is the drawing using various implements and a lot of creativity.
"Deep Forest 1.0" Acrylic pour and drawing in paint, 5X7" on archival board.
Quite different from my typical style, I'm loving the freedom of the acrylics and colors merging. I included some freestyle drawing using a quill pen. Thinking abstractly is a new and wonderful challenge.
This work is a cracking example of a new series. I'm using a pour technique combined with drawing. First I select my palette, then I mix my colors in containers using flow medium and sometimes dimethicone. I then free flow the paints into one single cup, deciding at the same time what color goes with what for the vision in my mind. Next comes the exciting pouring of the concoction onto an archival panel. Lastly is the drawing using various implements and a lot of creativity.
This original oil, 16"H X 8"W is up for sale. It was painted "En plein air" (outside in one sitting) and is on an archival linen board.
"Massive Summer Oak" 16" X 8", Catherine Twomey
Interested in purchasing? Please click HERE to purchase.
In the summer, the oaks look bigger then ever, and this one is just plain massive. It has the most interesting branches and patina.
Art is my life. From the first art project I can remember (making a Christmas Nativity scene in grade school that overshadowed the resident artist) art has always been what brings me the greatest satisfaction. Without art, I am not who I am.
I am now working full time as a fine artist, a dream that I've pursued for as long as I remember. Landscapes engage and challenge me, and I have a very soft spot for animals (that's me with Rosie the thoroughbred, left).
My artwork has been featured at the world renowned TED (Technology, Education and Design) conference (TED MED in San Diego, on huge high definition screens throughout the exhibition center). I recently won the nationally acclaimed ArtInPlace competition in Virginia which placed a 12' X 24' mural on aluminum of my work, now seen by thousands of commuters daily.
Two museums currently house my art: The William H. Benton Museum in Connecticut, and The LLoyd Museum in Cincinnati, Ohio. It was a great honor to be asked to exhibit and I continue to add to their collections. Speaking of collections, my work is a part of hundreds of private collections worldwide.
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| Viginia White Oak, 12 X 24", oil on gessoed birch |
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| Beaver Skull 1 |
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| Beaver Skull 1 |