“Many Glaciers Mid Afternoon” - watercolor, 10 X 14” on Arches Archival paper
I just returned from a couple of weeks visit to Glacier National Park in Montana. It was a bucket-list trip, and so worth the effort. Daily hikes and painting sessions made the trip memorable. Only ran into one grizzly bear (one is enough….) and saw lots of mountain goats. This painting was from the front of Many Glacier Lodge, where lots of glaciers still exist and are so beautifully clean and reflective.
Just a few of the pieces now on sale in my store on Etsy:
25% off, original pieces.
The Center for Humans and Nature (https://humansandnature.org/) interviewed me for this feature: https://humansandnature.org/the-universe/...
I am very grateful for their work and interest.
The Universe | Center for Humans and Nature
Painted plein air in the garden, Palm Springs, CA. I've never spent this much time in the desert and it's really starting to grow on me. Daily I gaze at a lovely, full lemon tree. The looming mountains still have snow at the top, yet down below it's 70 degrees and sunny. Coyotes roam the neighborhood and follow my dog and me on walks. I've been so influenced by this lemon tree, I'm now dreaming about the lemons and this inspired this piece. And p
eace.
"Birds Eye View Summer Spruce", 16 X 20" oil on canvas over aluminum. There are seven spruces off of my deck, and I've painted this one 100 times in my mind. Finally got it down on canvas! Plein air to studio; available this week at Blend Gallery in Asheville.
THANK YOU to Blend Gallery at 67 Biltmore Ave (Asheville) for the sale of "Island Edge." This original oil was painted plein air at Bass Lake in Blowing Rock, NC - obviously a beautiful, serene place filled with happy walkers as storms came and went.
Thank you to the Center for Humans and Nature (https://humansandnature.org/) for the unexpected award for six of my works to be published in 2023! What a terrific way to start the New Year! Citation: A version of ‘Accelerating’ first appeared in a
publication of the Center for Humans and Nature Press and is revised and
reprinted here with permission of the Center for Humans and Nature Press.
"The Island" is a plein air oil, 16" X 16" in Blowing Rock, NC. It was a blustery, sometimes rainy day, but there is nothing like capturing the light on site. Thank you to the collector from Hewitt, NJ for their purchase!
The international gallery, Singulart, has named my work “Maple Ridge Craggy Gardens” to their Fall Harvest Collection! This piece is in oil on an archival panel, and is professionally framed and ready to hang. For additional information, please visit:
Tonight one of my pieces will be for sale at the Chimney Rock Art Sale at Burntshirt Vineyards -@burntshirt.chimney.rock! Original oils will be offered by preservationthroughart.org as a fundraising event for environmental preservation. Hope you can make it! #artfundraising #oilforsale #burntshirtvineyards #preservingapicturesqueamerica #catherinetwomey1
Hope you can come and meet me at 1 Plymouth Court, Kenilworth, Asheville this Saturday and Sunday. Starting at 10, ending at 5 - it would be such a pleasure to meet you! I’ll have originals and prints, snacks & spring water. The weather is going to be PERFECT! See you there, and thanks.
“The Marked Tree”, 12” X 16” on panel
A memory, a feeling, a brief moment of life - this was painted at Marked Tree Vineyards, where I was surrounded by the most beautiful scenery, happy somewhat inebriated people, a good panter friends. I was so drawn to the way the vines pointed at the namesake tree - and the colors, the rich colors of the countryside on a gorgeous summer day.
“The Island”, 12” X 12” oil on panel.
If a painting could capture a day, this one did. It was blustery (hang on to the easel kind of blustery), and there were thunderstorms all around as I painted. The sun flashed in and out, illuminating the bright greens of the island’s trees as well as the backdrop. It’s hard to describe the joy of such a moment, other than to say it makes you feel as alive as you’ve ever been. Two hours to get it all down, get it right, and not get hit by lightning.
“Sequenced”, 24” X 36” pigments, iridescents, metallics on aluminum panel, framed.
The luminous sky and mountains at over 6,000 feet can overwhelm. Couple that with the late spring blooms of the rhododendrons, and there is a sense of floating high above the clouds as the sun descends. I'm inspired by the mountains and sky, of course - but the flow of the pigments themselves is so freeing; so abstract. It's like it helps makes sense of all of the complex layers and diffuse light spreading through the clouds. Each layer is constructed
separately using pigments, tools, an airbrush and gravity. Although the end result appears realistic, on closer inspection it's made up of pours, ridges and glowing pigment. This 24" X 36" original painting will infuse your room settings with good taste and luminescence. It is framed in a lovely copper and black floating frame.
Oil, 8” X 16” on archival panel.
There is a definite wonder in going to the trouble of painting outside. Everything about the experience is fresher, cleaner (unless you step on your solvent jar, which I just did) and the colors are unmatched. Yes, the weather was somewhat dangerous with thunderstorms all around this lake. However, knowing that, I felt highly charged to choose my painting spot, quickly decide on the composition and squint for optimal color matching. The sun poked in and out; lots of people walking by wanted to talk - but I had to focus and get it down instinctively and purely. And so it goes.
“Between Storms” is an 8” X 16” oil on archival panel.
The weather is so incredibly variable in the mountains, and this day was no exception. I made my way around a lake, Bass Lake, in Blowing Rock, NC - Blue Ridge mountains. Surrounded by threatening cumulous clouds, I quickly set up and immediately planned out the composition. Suddenly, sunlight flooded the island in the lake's middle, and I knew I had my painting. The flashes of light green and blue highlighted the dark pines against the mountainside. The light fell on a downed log, prompting a highlight that finished the piece. As dozens of people made their way past and around the lake path, it felt like we were all in it together - a race against the lightning in an electric moment.
"Monumental Oak", a 22" X 28" oil on canvas, will be offered at "The Blowing Rock Women's Show" at the American Legion Building in Blowing Rock, NC - June 9th! We are raising funds for women in need and would sure like to meet you! There will be many other artworks, so come on up! Blowing Rock is at about 3,500', where the views are marvelous and the air is clean! Thanks for your consideration.
“Monumental Oak”, 22” X 28” oil on canvas
“Cirrused”, 24 X 36”, pigments, metallics, iridescents on archival panel.
June 9th, 2022! Blowing Rock Women's Show at the American Legion Building in Blowing Rock! Come and meet me, Deborah Squier and Lori McNee! Blowing Rock is SPECTACULAR & so is the art; supporting the Women's Fund of the Blue Ridge. Thanks!
North Carolina/Tennessee border. Imagine sitting for hours along the banks of a somewhat hidden creek. There are fishermen there, friendly and pulling trout out of the clean, clean water. The bugs aren't out yet because it's early spring; it's a bit cool in the morning but warming as the sun ascends. You're soothed by the literally babbling brook while completely absorbed by the task at hand. A most glorious day. Sometimes the shapes are as mesmerizing as the sound of the water! Watercolor, gouache, Arches paper, about 8" X 10".
To purchase:
https://www.catherinetwomey.com/available/upper-falls-early-spring
An hour's drive up to a mountain pass proved to be well worth the trip. I spent a day at Altapass Orchards in North Carolina - and what a sight it was! The day was clear and unusually warm, so I was able to set up for some long range views. The apple blossoms were just coming out, adding to the scene's delight. This original watercolor is 6" X 12" on archival Canson board.