Coming soon! The Virtual Art Auction at the Asheville Art Museum! Keep an eye on this blog to bid for one (or all) of the following original artworks:
You are invited to participate in the November 14 Virtual Auction for the Asheville Art Museum. The above four pieces will be in the auction, so check back here for upcoming links and information, coming soon.
Thanks for your interest!
Purchase this painting here: https://www.catherinetwomey.com/available/monumental-oak
When I hike up a trail approaching a bare area (bald) or rounded hill, I get such an expansive, peaceful feeling. Near my home is the Biltmore Estate which has grounds manicured back in the day (early 1900's) by the famous Frederick Olmsted. I go there often to hike and am often struck by these 100+ year old oaks at the top of the balds. They're so large their branches often hit the ground as they loom over me!
In this painting I was thinking about the cools and warms. This magnificent specimen was just getting a hint of autumn colors. The right side has a variety of purplish and blue/green colors. I was drawn to the brilliant warmth of the trunk as it was hit by the setting sun. Rather than paint in individual leaves, I massed the shapes to suggest their beauty but focused on the patterns of warmth playing against the cools throughout the painting.
This original oil is on stretched canvas with a poplar wood frame. It has painted edges of 1.5".
I visit these lily pads about once a week. Every time I pass by I have to stop and wish them well. I was so struck by this single white lily, glorious in its simplicity and contrasted by the brilliant greens of the surrounding pads.
Imagine the height of the summer. The crickets are rubbing their wings together, providing a chorus to your wanderings through steep hills and low ponds. This grouping made me pause - I saw the varied personalities of each lily pad, highlighted by the one bright white blossom. The copper undersides of the pads were in striking contrast to the cool greens. I now understand what Monet was drawn to; these were incredibly beautiful and evocative.
Fall is approaching and I'm certain these will hibernate soon enough, but they'll hold me through the winter.
This painting is on gallery wrapped canvas with a 1.5" painted border and is wired and ready to hang.
Available here: https://www.catherinetwomey.com/available
“Azaleas Late Spring” and other fantastic items will be offered at the Vesalius Trust Auction beginning Sept. 16! Preview items here and mark your calendars:
https://vesaliustrust.org/upcoming-events/online-silent-auction/
22 X 28” gallery wrapped canvas, “Bass Pond White Lily”
Almost finished, Bass Pond White Lily, 22 x 28” oil on stretched canvas. Learned a LOT from working larger. Hard to go wrong with a scene this beautiful.
We have had more than 9 inches of rain this year above and beyond the average. The almost daily thunderstorms have poured tremendous volumes of water into our lakes and streams, including this lake below my house. The runoff is so great the typically blue/green water turns all shades of browns, reds, yellows and gold. Of course, the vegetation is growing feet by the second. It's white ball hydrangea time of year. The large popcorn-appearing balls are so beautiful and refreshing against the water. That dam in the foreground is almost a hundred years old, and of course with all the rain it's rather worrisome. So much water running over the side, what kind of pressure is that old concrete under? I painted this outdoors and reveled in the sounds and sights of the water and flowers. So glad I had bug spray on, as much as I dislike it! And of course, sunscreen. This oil in painted on archival canvas and is 11 X 14". It is unframed and ready to complement your indoor decor.
My new garden has brought a wealth of unique and beautiful plants. The gladiolus did not perform for three years, but the wait was so worth it. This year, the second I saw these white glads, I had to paint them. I tended to them and, knowing I'd only have a few days to paint them before they faded. What greater challenge than to place them against a white board to capture the shadows and highlights? This spring, while COVID reigns, it's been rainy and quite hot. The gladiolus are now six feet tall and stretch to the sun! Most glorious of all, however, was the flowers. At the height of their glory, they reached to the sun on a lovely spring morning as I moved to not overdo them, but capture their life and brilliance using color, value and marks. Their spontaneity was a challenge, but well worth the wait. This is an oil painting that is painted on archival, Ray Mar art board. It is 8 X 16" - perfect for that unique area in your home or office that begs for new life.
"Gladiolus After The Storm" - well these flowers are 6' high this year because we've had very regular storms and lots of heat. I caught these early in the morning as the eastern sun just peaked up the side of Beaucatcher Mountain (I know, right? Gotta catch your Beau...). The blossoms were so heavy some collapsed, but I've just ordered some bamboo poles to prop them up. Always somethin'! 12 X 12", oil on canvas.
Thank you so much to the Charlottesville, VA collection of "Blue Ridge Sheep" 20 X 30" oil on canvas. So happy to be connecting with people during these stressful times. For more information on prints of this image: https://fineartamerica.com/featured/blue-ridge-blue-skyline-sheep-cloud-catherine-twomey.html
WIP Work In Progress, White Lilly on the Biltmore Estate's bass pond. What a challenge it is to work larger, but I'm learning a great deal at 22 X 28". So interesting how each pad has its own look and personality. If you're ever in Asheville (let's hope all this pandemic stuff is done sooner rather then later) call me; I'll show you where it is.