Art Collector: "Buck Mountain Vineyards" by Twomey

Thank you to the collector of "Buck Mountain Vineyards":

"Buck Mountain Vineyards" by C. Twomey

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To purchase prints of my work, please click: Fine Art America

I greatly appreciate your business and support!

Happy Holidays and New Years!

DaVinci Horse Print Sale

I am running a little more than half price off sale at:

http://catherine-twomey.artistwebsites.com/

on the "Da Vinci Piaffe" horse print, for a dear horse friend, until August 30, 2012. If you'd like an unprecedented "deal", this is it.

Look under the "Horses" link to the right. There are available a variety of sizes of prints framed on canvas, simple single sheet prints, even greeting cards.

Background:

Description:

Commissioned for the cover of the "United States Dressage Federation" magazine Connections, it was inspired by "The Vitruvian Man" by Leaonardo da Vinci circa 1487. This could be considered the "Canon of Proportions" for the horse performing the dressage movement piaffe. It is based on the correlations of ideal horse proportions with geometry. It exemplifies the blend of art and science during the Renaissance. 

Winning painting/illustration of the American Horse Publications Annual Awards, First Place in Illustration for "Da Vinci Horse", 2007. This print shows an anatomically accurate transparent horse and skeleton

The Lloyd Library and Museum Collection

I date this original carbon dust medical illustration back to 1984. I call this the era of BC, as in Before Computers. That was my left hand in a surgical glove, attempting to hold the surgical retractor steady while trying not to sneeze and destroy everything at once. This was created using dust!! Computers were just on the horizon, and the use of this method of illustration was waning.


As student medical illustrators, we learned all of the illustration techniques of the old masters. I think the only time I used this technique was as a student. The method consisted of applying carbon dust, obtained by rubbing carbon pencils against an abrasive surface such as a metal file, to a prepared surface via dry brushes. Highlights were painted on or scratched out later in the process using fine instruments or erasures. A very specialized paper was used. Wonder if it's even made anymore.


This extremely fragile piece is entering the Lloyd Library and Museum in Ohio as a part of the Vesalius Trust Collection of Art Serving Medicine and Science. I hope to continue to post pieces as they're prepared for shipping.